Call for Papers: Western Museumscapes and the Political Aesthetics of Decolonisation

Carol Dixon will chair a 90-minute conference session on decolonial scholar-activism by African and Diasporan artists, curators and educators working with collections of ethnography and works of fine art in Western museums. This session forms part of the forthcoming programme for the 6th biennial network conference Afroeuropeans: Black Cultures and Identities in Europe, University of Tampere, Finland, 6 – 8 July 2017.

If you would like to propose a research paper, show a portfolio of work, or suggest an alternative multi-media presentation for consideration, please draft a 250-word abstract in response to the following overview:

Session: Western Museumscapes and the Political Aesthetics of Decolonisation: African and Diasporan Arts Activists Agitating for Change

"Anthropomorphic head" (Benin, c. 14th -16th century), displayed in the Pavillon des Sessions at The Louvre. Photo: Carol Dixon
“Anthropomorphic head” (Benin, c. 14th -16th century), displayed in the Pavillon des Sessions at The Louvre. Photo: Carol Dixon

Overview:
High-profile museums and galleries in the West – such as the British Museum in London, the Pompidou in Paris, and the MoMA in New York – are continuously revising and developing new strategic plans  to ensure that their collections, cultural programmes and exhibiting practices are engaging increasingly diverse global audiences. At the heart of these developments are complex issues about the changing nature of acquisitioning, curation, display and interpretation of artworks and cultural objects described as permanent holdings. The policies and practices implemented by these institutions serve as catalysts for generating and sustaining a rich discourse that invites artists, researchers, curators, archivists, educators, scholar activists and other creative practitioners to question their own roles and responsibilities within such dynamic museumscapes.

In this panel discussion, museologists, art historians, contemporary artists, scholars, educators and cultural  commentators from around the world will come together to discuss these issues with reference to one (or more) of the following questions:
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