ALBUS – an exhibition of photography by Justin Dingwall and Thando Hopa (ArtCo Gallery, Germany)

South African photographer Justin Dingwall and lawyer and model Thando Hopa have recently collaborated on a new project featuring photographic portraits that address albinism as a key theme. Both the model and the photographer have created a series of poignant images that invite audiences to reflect on – and rethink – attitudes towards beauty, skin colour, corporeality and albinism as a condition caused by a lack of melanin in the skin that can affect people from every ethnic background.

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This image – titled,”GRAZIA” (2015) by Justin Dingwall , from the ALBUS series – recently featured as part of the ArtCo Gallery presentation displayed at the 1:54 Contemporary African Art Fair in London (Somerset House, October 2016). Photo: Carol Dixon (8/10/16)

In addition to the presentation of these striking visual images, Dingwall and Hopa aim to inspire a public debate about the historical taboos that surround the subject of albinism, as well as  draw attention to the devastating levels of discrimination, threats of physical violence and actual bodily harm many people with albinism have experienced throughout history because of the superstitions that persist in some societies around the world.

Dingwall and Hopa’s series of photographs taken between 2014 and 2015 will be displayed in a new solo exhibition – titled, “ALBUS” (27 November 2016 – 13 January 2017)  at the ArtCo Gallery, Aachen, Germany.
Continue reading ALBUS – an exhibition of photography by Justin Dingwall and Thando Hopa (ArtCo Gallery, Germany)

‘Exhibit B’ : A poignant performance art piece, or just the latest incarnation of a racist ‘human zoo’?

Anyone who saw the Guardian’s recent Edinburgh Festival review of Brett Bailey’s controversial installation ‘Exhibit B’ – featuring African men and women sitting inside cages, with labels stating “The blacks have been fed”, and others chained to chairs and beds in equally dehumanizing poses (seemingly to challenge audiences to reflect on the brutalities of European racism throughout the colonial era, and to specifically critique the violent practices and enduring legacies of the 19th century “human zoos”) – might be interested in the online petition that has been established to oppose and boycott its forthcoming display at the Barbican Centre in London (23rd – 27th September 2014).

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The petition’s organiser is Sara (Sar’z) Myers, and full details about why she and hundreds of supporters consider Bailey’s project to be a racist exhibition can be viewed online at https://www.change.org/p/sir-nicholas-kenyon-withdraw-the-racist-exhibition-exhibit-b-the-human-zoo-from-showing-at-the-barbican-from-23rd-27th-september

Continue reading ‘Exhibit B’ : A poignant performance art piece, or just the latest incarnation of a racist ‘human zoo’?