The sixth London edition of the 1:54 Contemporary African Art Fair took place at Somerset House, 4-7 October 2018. Curated by its founding director Touria El Glaoui the event featured 43 international galleries showcasing the work of 130 established and emerging contemporary artists from continental Africa and the global African diaspora.
In keeping with previous editions at this venue a major new sculptural work was displayed in the courtyard to serve as a focal point for the fair. This year’s Fountain Court commission was given to the internationally renowned Sudanese modernist Ibrahim El-Salahi, who created three, large-scale versions of an oak sculpture titled “Meditation Tree” (2018). The majestic and beautifully sculpted wooden pieces were inspired by the artist’s memories of a particular type of Acacia tree, known as the Haraz, that is unique to Sudan and found along the banks of the River Nile.
Inside Somerset House one of the highlights of the expansive exposition was a series of sculptural installations, collages, tapestries, films and photographic works by South African artist Athi-Patra Ruga, titled “Of Gods, Rainbows and Omissions.” Displayed in three rooms throughout the Terrace Gallery near the main entrance Ruga’s artworks were curated to illustrate and comment upon a range of social and political issues concerned with challenging injustices and inequalities through his use of highly ornate and colourful allegorical compositions visualising how people express diverse and complex identities.
Self-defined as a queer Xhosa man Athi-Patra Ruga’s oeuvre serves as a powerful visual narrative documenting the lived experiences and corporealities of people whose opportunities to freely express their sense of self have been challenged and curtailed as a result of discrimination, acts of violence, social exclusion and other forms of oppression operating within local communities, nation states and wider global structures. A particular focus of Ruga’s presentation at Somerset House was to celebrate identities and bodies that have traditionally been constructed as ‘Other’/’non-human’ and positioned outside what is considered to be mainstream – especially in relation to ethnicity, gender, nationality, sexuality and social class. Continue reading “Review of the 2018 edition of the 1:54 Contemporary African Art Fair in London”