The M.A.D (“Make a Difference”) Project: Challenging ‘othering,’ injustice and intolerance through education and arts activism

On 7th December I was pleased to give a presentation about African and Diasporan artists’ ‘politically aesthetic’ interventions and activism within museums and galleries in the West. This illustrated talk was part of a panel session and Q&A that took place at Raindance in Charing Cross as the inaugural London meeting organised by the education and social justice project “Make a Difference” (aka “The M.A.D Project“).

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M.A.D (“Make a Difference”) Project panelists (from left to right): Vikram Ahluwalia; Oliver King; and Dr. Carol Dixon

As a non-profit education organisation, the artists, teachers, scholars and arts activists affiliated to M.A.D seek to develop creative learning initiatives, exhibitions and awareness-raising campaigns that challenge dominant narratives perpetuating racialalised hierarchies, ‘differentialist racism,’ stereotyping and the legacies of colonialism within present-day mainstream society. Through this work M.A.D make a significant contribution towards tackling racism(s), other forms of prejudice, intolerance and misrepresentations of cultures falsely perceived as ‘other.’

Central to the Project’s pedagogic outcomes are the ongoing collation and presentation of stories and images detailing different forms of cultural expression from various regions of the World – particularly the Middle East, continental Africa, Asia and Europe. These diverse (and often diasporic) narratives – as well as the activists’ and researchers’ accounts of their own travel experiences through which this cultural knowledge is sourced –  are widely disseminated via publications, photo exhibitions and taught programmes in classrooms,  community-based organizations, universities and other public institutions.

The over-arching theme of the inaugural London event was “Challenging dominant narratives through arts and culture.” Continue reading The M.A.D (“Make a Difference”) Project: Challenging ‘othering,’ injustice and intolerance through education and arts activism

Call for Papers: Western Museumscapes and the Political Aesthetics of Decolonisation

Carol Dixon will chair a 90-minute conference session on decolonial scholar-activism by African and Diasporan artists, curators and educators working with collections of ethnography and works of fine art in Western museums. This session forms part of the forthcoming programme for the 6th biennial network conference Afroeuropeans: Black Cultures and Identities in Europe, University of Tampere, Finland, 6 – 8 July 2017.

If you would like to propose a research paper, show a portfolio of work, or suggest an alternative multi-media presentation for consideration, please draft a 250-word abstract in response to the following overview:

Session: Western Museumscapes and the Political Aesthetics of Decolonisation: African and Diasporan Arts Activists Agitating for Change

"Anthropomorphic head" (Benin, c. 14th -16th century), displayed in the Pavillon des Sessions at The Louvre. Photo: Carol Dixon
“Anthropomorphic head” (Benin, c. 14th -16th century), displayed in the Pavillon des Sessions at The Louvre. Photo: Carol Dixon

Overview:
High-profile museums and galleries in the West – such as the British Museum in London, the Pompidou in Paris, and the MoMA in New York – are continuously revising and developing new strategic plans  to ensure that their collections, cultural programmes and exhibiting practices are engaging increasingly diverse global audiences. At the heart of these developments are complex issues about the changing nature of acquisitioning, curation, display and interpretation of artworks and cultural objects described as permanent holdings. The policies and practices implemented by these institutions serve as catalysts for generating and sustaining a rich discourse that invites artists, researchers, curators, archivists, educators, scholar activists and other creative practitioners to question their own roles and responsibilities within such dynamic museumscapes.

In this panel discussion, museologists, art historians, contemporary artists, scholars, educators and cultural  commentators from around the world will come together to discuss these issues with reference to one (or more) of the following questions:
Continue reading Call for Papers: Western Museumscapes and the Political Aesthetics of Decolonisation

Reflections on a “Festival for the World” and Alpha Diagne’s “Blue House” at the Southbank in London

For the past four years the Southbank Centre in London has hosted an event called “Africa Utopia.” Typically, this diverse programme of talks, marketplace activities, displays, fashion shows and other artistic happenings takes place over the course of a weekend in early autumn and is marketed as one of the Southbank’s “Festivals for the World” series.

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Carol Dixon with musician, writer and graphic designer Natalie Cooper at Africa Utopia 2016

The artistic and strategic collaborations that produce this extensive cultural programme involve a number of key players – most importantly, the event’s co-founders: the Senegalese singer and human rights advocate Baaba Maal; and the Southbank Centre’s artistic director Jude Kelly CBE  – as well as a host of commercial sponsors, media partners and arts organisations contributing to the talks, performances and market place activities.

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Carol Dixon with globally renowned Senegalese singer and human rights advocate Baaba Maal at Africa Utopia 2016

Central to the success of Africa Utopia is its ability to remain topical, informed and up-to-date about artistic and aesthetic innovations emerging from all regions of the continent, as well as from the communities of African diasporans settled all over the world. This is one of the reasons why hosting the event in the heart of an urban metropolis like London is always such an interesting mix of cultural and political fusion, shown through a variety of arts and crafts created by established and emerging designers, photographers, textile artists, creators of African inspired couture and contemporary art installationists.

For me, the highlight of Africa Utopia 2016 was the range of talks and debates – not only in relation to literary, visual and performing arts, but also in terms of how such cultural discourses intersect with the political, economic, environmental and technological concerns affecting people’s daily lives. This year’s panel sessions were programmed by Hannah Pool and curated with a focus on themes such as arts activism, social justice and inclusive practices within the cultural  and creative industries – especially in relation to TV, cinema and online broadcasting platforms.

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Audience members  listening to the debate about activism and social change at Africa Utopia 2016

Continue reading Reflections on a “Festival for the World” and Alpha Diagne’s “Blue House” at the Southbank in London

Black Portraiture[s] III: Reinventions – Jo’burg Conference, 17-19 November 2016

“BLACK PORTRAITURE[S] III: Reinventions: Strains of Histories and Cultures” is the seventh conference in a series of transnational and diasporic conversations about imaging the black body. It offers a forum that gives artists, activists, educators and scholars from around the world an opportunity to share ideas, from historical topics to current research on the 40th anniversary of Soweto. Presenters will engage a range of topics such as Biennales, the Africa Perspective in the Armory Show, the global art market, politics, tourism, sites of memory, Afrofuturism, fashion, dance, music, film, art, and photography.

image: Kudzanai Chiurai, Genesis XI, 2016
image: Kudzanai Chiurai, Genesis XI, 2016

The conference takes place November 17-19, 2016 at the University of the Witwatersrand (Wits) in Johannesburg, South Africa, and was planned in collaboration with the U. S. Department of State, U.S. Ambassador to South Africa, Patrick H. Gaspard, Goodman Gallery, Hutchins Center for African & African American Research/Harvard University, New York University’s La Pietra Dialogues, Tisch School of the Arts and the Institute for African American Affairs.

When the conference was first announced, the Dean of Tisch School of the Arts, Allyson Green,  said:

“The world will be greater because of the conversations and explorations that will be held when more than 140 papers and performances are presented on topics such as the global art market, activism, politics, tourism, sexuality, sites of memory, Afrofuturism, fashion, dance, music, film, and photography.”

Allyson Green, Dean – Tisch School of the Arts,
New York University

To view the full conference schedule and see a list of participating speakers, please visit the website http://www.blackportraitures.info/schedule/.

Film footage of keynote presentations from previous conferences in this series can also be viewed online at http://www.blackportraitures.info/live-stream/.

Continue reading Black Portraiture[s] III: Reinventions – Jo’burg Conference, 17-19 November 2016

Creating African Fashion Histories – Conference at The Old Courtroom, Brighton, UK (November 2016)

Fashion Cities Africa (2016), edited by Hannah Pool – featuring information about Nairobi, Casablanca, Lagos and Johannesburg.
Fashion Cities Africa (2016), edited by Hannah Pool – featuring information about Nairobi, Casablanca, Lagos and Johannesburg.

On Wednesday 2 November 2016 Brighton Museum and Art Gallery will be hosting a one-day conference – “Creating African Fashion Histories” – in partnership with the Royal Pavilion and Museums, Sussex Africa Centre, the University of Sussex and the University of Brighton.

Coinciding with the first major UK exhibition dedicated to contemporary African fashion – “Fashion Cities Africa” curated by Helen Mears, Martin Pel and Harriet Hughes (on display at Brighton Museum and Art Gallery until 8 January 2017) – this conference will explore the possibilities and limitations of dress and fashion history within the wider context of current and past narratives about African fashion.

Brighton and Hove, Art Gallery, Museum, fashion Cities Africa, exhibition, Brighton, 2016
Brighton and Hove, Art Gallery, Museum, Fashion Cities Africa, exhibition, Brighton, 2016

Presentations and panel discussions will focus on the construction of African fashion histories; the transmission and translation of African fashion identities; new directions in collecting and curating African fashion and the evolution of new platforms for the dissemination of African fashion.

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Exhibition view of “Fashion Cities Africa” at Brighton Museum and Art Gallery. Image © Judith Ricketts

Confirmed speakers include: Victoria Rovine (author, African Fashion, Global Style), Carol Tulloch (author, The Birth of Cool: Style Narratives of the African Diaspora), Christopher Richards (curator, Kabas and Couture: Contemporary Ghanaian Fashion), Erica de Greef, Angela Jansen (author, Moroccan Fashion, Design, Culture and Tradition), Heather Akou (author, The Politics of Dress in Somali Culture), Jody Benjamin, Hannah Pool (author, Fashion Cities Africa, curator, Africa Utopia) Helen Jennings (author, New African Fashion) and others. Continue reading Creating African Fashion Histories – Conference at The Old Courtroom, Brighton, UK (November 2016)