THE BERLIN CONFERENCE: How art deals with the carving of a continent (Exhibition Review: December 2014)

The following article by art critic Elsa Guily (published online by Contemporary And (C&) magazine) reviews the exhibition ‘Wir sind alle Berliner: 1884-2014’ curated by Simon Njami (and displayed at SAVVY Contemporary, Berlin, 15 November 2014 – 11 January 2015).

Within this exhibition, the 12 featured artists –  Kader Attia, Theo Eshetu, Satch Hoyt, Cyrill Lachauer, Henrike Naumann, Katarina Zdjelar, Bili Bidjocka, Thabiso Sekgala, Sammy Baloji, Filipa César, Mansour Ciss, and Nadia Kaabi-Linke –  each present contemporary reflections on the historical, social-economic, geo-political and cultural impacts of the colonial ‘scramble for Africa’ Berlin Conference of 1884.

Laboratoire de Déberlinisation, installation by Mansour Ciss © Photo Chiara Cartuccia, 2014 (Source: http://www.contemporaryand.com/)
Laboratoire de Déberlinisation, installation by Mansour Ciss © Photo Chiara Cartuccia, 2014 (Source: http://www.contemporaryand.com/)

One of the images featured in the review piece (shown above) is a photograph of the installation ‘Laboratoire de Déberlinisation’ created by the Berlin-based Senegalese artist Mansour Ciss.This conceptual artwork was first developed by Ciss in 2001 and has been described by the artist as a project for encouraging trans-national ‘North-South’ and ‘Eurafrican’ dialogues about the politics of globalisation in the post-colonial era, and also as a symbolic representation of the intersectional space where “the idealism of art meets the realities of geopolitics and economics.”

Link to the full text of the exhibition review: http://www.contemporaryand.com/blog/magazines/how-artists-reflect-on-the-berlin-conference/

A video cast of ‘Laboratoire de Déberlinisation’ during its installation at Karlsruher Hauptbahnhof station in Berlin (2011) – also featuring role-play interventions, and interactions with the visiting public, performed by Mansour Ciss, Baruch Gottlieb and Christian Hanussek – is available online at the ZKM website:

ZKM-Videocast-Laboratoire-de-Deberlinisation-2011

Link to the video cast of ‘Laboratoire de Déberlinisation’: http://www02.zkm.de/videocast/index.php/component/content/article/445-deberlinisation.html

Advertisements

Published by

Carol Dixon

Carol Dixon is a teacher, education consultant and academic researcher interested in African and Caribbean diaspora histories and heritage, cultural geography, museology and contemporary visual art. Her recently completed PhD dissertation is titled "The 'othering' of Africa and its diasporas in Western museum practices" (University of Sheffield, UK).

One thought on “THE BERLIN CONFERENCE: How art deals with the carving of a continent (Exhibition Review: December 2014)”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s