Twenty Pound Spectacle: Brett Bailey (Exhibit B)

The following article written by art historian Yvette Greslé presents a very detailed, beautifully written and carefully considered critique of Brett Bailey’s ‘Exhibit B’ project – which also (in turn) cites curator and academic Okwui Enwezor’s well-informed words of wisdom: “Despite the sincerity of the artists who have brazenly maintained a relationship in their work with the black body, there is a certain over-determination that accompanies their gestures. They seem to neglect the fact that the black form is as much a grotesque bearer of traumatised experiences as it is the abject vessel of race as a point of differentiation. More than alerting us to how the stereotype fixes its objects of desire in that freeze-frame of realism, as prior knowledge, the work of these artists exacerbates the stereotype by replaying it, perhaps unconsciously, as if it had always been factual.”…

Twenty Pound Spectacle: Brett Bailey (Exhibit B).


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Carol Dixon

Carol Ann Dixon is an education consultant and academic researcher interested in African and Caribbean diaspora histories and heritage, cultural geography, museology and contemporary visual art. Her PhD dissertation/doctoral thesis is titled "The 'othering' of Africa and its diasporas in Western museum practices" (University of Sheffield, UK, 2016).

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